This Week in Aurebesh, I am not yet two weeks into Onslaught, and I don’t think I’ve even scratched the surface of SWTOR’s new expansion. I still need to the complete the story on the opposing faction, visit the new flashpoint in something other than storymode and venture into the Dxun operation, let alone uncover Onderon and Mek Sha’s many achievements and hidden Datacrons.
I do want to share my first impressions about the good (the story and worlds!), the bugs (lost quest objective spawns, group finder ops!) and the ugly (Conquest and crafting!), but I also want to take my time enjoying leveling and exploring, so my commentary will have to wait a bit longer.
One thing that I do think is safe to say is that Mek Sha is super-cool. It’s as if all of Nar Shaddaa were stacked and crammed into one tiny planetoid with a gigantic picture window into the void of space. It’s dark, dank, claustrophobic and yet another neat setting unique to both Star Wars and the Old Republic setting.
It’s also bathed in a colorful, holographic glow. While there are many new signs and displays to be found on Mek Sha that I plan to examine in the future, there are also many familiar posters, lights and graphics repurposed from the game’s vast library of imagery.
Before you write this off as lazy, it’s worth remembering that whether you travel to Times Square in New York City or Shibuya Crossing in Tokyo or Piccadilly Circus in London you will behold many of the same ubiquitous brands and logos of our own world’s corporate landscape shining down on you in neon light.
So while I lollygag my way through Onslaught, I’d thought I’d take a break this week and revisit some of my favorite signs and graphics that I have already recreated in this blog and that you can spot on your journey into the underworld of Mek Sha.
I hope long time readers to this blog will forgive this self-indulgence, and I hope new visitors enjoy a taste of what this project has been for the last three years!