Category Archives: Aurebesh to English

Star Wars: Visions Review

It’s been a while since I’ve reviewed any Star Wars tales outside of SWTOR. Although I generally liked The Mandalorian and Bad Batch, I didn’t come away from them feeling like I had much to offer to the conversations around those shows. But having finished Star Wars: Visions this week, I did want to put some thoughts down while they’re fresh. I will, for the most part, avoid spoilers since I feel like we are still within the window of letting folks watch at their own pace. I don’t follow anime as much as I used to, but I did grow up with some of the series that made it over to North America in my youth. A French translation of Captain Harlock was my first exposure to anime, and, as a kid, I was enthralled by Starblazers and then Robotech, which in spite of how the original shows were truncated and transformed for western audiences, were clearly unlike any other cartoons on my TV. I had no interest in He-man or Transformers, but to this day I can still sing every lyric to the Starblazers theme song. When anime exploded in popularity in the US in the 90’s, it was cool to be able to easily see (often even in the theater!) films like Akira, Ghost in the Shell and Princess Mononoke. But aside from the odd movie or series here and there, I haven’t watched as much I used to. However, from the get-go, Visions seemed neat, and I certainly was gonna check it out.

To start, I’ll just lay my cards out on the table and get my one spoiler out of the way. Watching someone surfing on the nose of an X-Wing as they cut a Star Destroyer in half with a lightsaber is the Star Wars content I’m here for. I’ve always preferred it when Star Wars bends towards the mystical and weird, so I connected with many of the stories told by Visions. More space rabbits, laser umbrellas, outrageous duels and metalhead Hutts, please.

Clocking in at around 15 minutes each, the episodes don’t have a ton of space to breathe, so the breakneck pace didn’t do some of the stories any favors; maybe too much was left implied and unresolved. I ended up watching the whole series in one or two episode batches over a weekend. Not surprisingly, the installments share many of the same themes, symbols and even story beats, and had I binged the whole thing at once, it might’ve felt repetitive. At the very least, hearing “I have a bad feeling about this” every 15 minutes would’ve gotten old. But taken on their own and with some separation between them, I think I was able to get into each episode a bit more and appreciate the stylistic approach each team brought to the table. I have never been a purist when it comes to the sub vs. dub debate in anime, but in this case I do think that the episodes tend to sound better in the original Japanese with subtitles. Often the the English dub falls into the clichés of anime dubs in which English dialogue is awkwardly verbose and delivered very, very fast.

Given the focus of my blog, I would, of course, be remiss if I did not call attention to the appearance in the episode The Village Bride of an XS Freighter which every Smuggler in SWTOR will know and love as their class ship. The XS is a neat mashup of the Millennium Falcon and the Ebon Hawk, and it’s cool to see it pop up in an unexpected setting. If I’m being honest, the class ships have been neglected in SWTOR lately, so I’m glad at least one can get in on the action again. And additional points to the animators at Kinema Citrus for making an Old Republic reference to something other than Revan, who might be as close to overexposed as anything from that era can get.

Overall, I enjoyed Visions. If nothing else, I found it to be at least interesting. And if not every episode was great, each story’s individual approach to the material and setting gave me something to think about. I can see how the show might not be everyone’s cup of tea, but projects like this keep Star Wars fresh for new and old audiences alike. The answer to the question of which Star Wars movie or show someone should watch first does not have a simple answer these days, but Visions covers a lot of ground, and I think any kid or kid-at-heart can find at least one or two episodes to kick back and enjoy whether they’re coming at it as an anime fan or a Star Wars fan. Ultimately, I think Star Wars: Visions successfully accomplished an anthology’s job of leaving me wanting more, but not needing more.

But I can hear you asking the important question: what about the Aurebesh? And, yep, its all over Visions too. Its most prominent use comes in the episode T0-B1, and fortunately its translation is not a spoiler. Somewhat to my surprise, the Aurebesh does not translate into Japanese or English, but into Spanish. And while I’m not 100 percent certain, I am confident that the holographic text displayed in the episode is snippets of lyrics from the Latin flamenco pop song “MALAMENTE (Cap.1: Augurio)” by Rosalía. I have never been of the opinion that Aurebesh should be used strictly literally. It functions mainly to establish the flavor of Star Wars‘ space fantasy setting whether the translation makes sense in context or not. This blog is filled with numerous references to my favorite songs, so I heartily approve of the animators slipping in a tribute to music they like as well.

That’s all for now, but I’ll be back in a couple of days to celebrate this blog’s fifth anniversary!

 

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Maps and Legends

Well, things sure got exciting this week for fans of the Old Republic era of Star Wars with the announcement of a “remake” of Knights of the Old Republic.

Remastering, remaking, reforging fan-favorite video game classics is common these days and it seemed inevitable that KOTOR’s turn would come sooner rather than later. Indeed rumors have been kicking around for quite a while already.

Details are scant, so this is a great time to indulge in all manner of speculation and hysterical over-reaction. What is the difference between a remake and a remaster? Is the story changing? Is the gameplay changing? Your guess is as good as mine. In fact, it’s probably better.

But baseless speculation can be fun, so I will indulge myself and wonder what Knights of the Old Republic, the remake means for Star Wars: The Old Republic.

In the short term I suspect, very little if anything at all. The remake is a couple years away, at least, so if SWTOR intends any direct cross-over with KOTOR, it will likely come at the end of the Legacy of the Sith expansion’s life cycle or as part of the next, next expansion.

Nevertheless, KOTOR casts a long shadow over SWTOR, and even though Revan seems have gotten their last hurrah at the start of this year, the setting of Legacy of the Sith’s forthcoming operation clearly evokes the mass shadow generator from KOTOR2. Still, if I’m being honest, I hope SWTOR doesn’t wade too deep into the KOTOR nostalgia pool. At this point, it would feel like going backwards to dig up Revan yet again or bring back Malak or Bastila. These days, I am far more interested in learning about Malgus’ interest in Darth Nul than knowing if Nihilus’ spirit is still rattling around somewhere.

There is also speculation that the remake will allow Disney to backdoor KOTOR into the official Canon. While there have been allusions to Revan here and there recently, KOTOR hasn’t quite made the jump into the “Canon.” Long time readers of this blog may have noticed that I rarely mention “Canon” and “Legends.” This is because in my mind there is literally no difference between the two. The Star Wars stories I like are the stories I like, and I do not care on which side of an imaginary line they are supposed to lie.

That said, the line does seem to matter to many fans. If Lucasfilm declares that the KOTOR Remake is “Canon” and SWTOR gets to slide in on those coattails as well, and if this encourages someone who otherwise would not to try either or both games, then I say, “Great!” I hope the KOTOR Remake is a success for the people who make it and the fans who play it. I hope it appeals to new and old players alike. And if it leads players who want to continue to explore the Old Republic era to SWTOR, I say again, “Great!”

There are many terrific Star Wars stories to be found in the Old Republic setting, and I hope as many people as possible get to experience them.

Do You Know Where You’re Going To?

Finally, let’s take a look at the star map featured in the brief story beat “Whispers in the Force” included as part of the latest game update. This holographic display depicts the route Heta Kol seems to be following through the Minos Cluster to the very edge of the galaxy. Before I begin, I do want to say it was nice to see Akaavi Spar again. I always found interactions with her fun on my Smugglers, even if they rarely saw eye to eye. After her disappointingly brief return during Fallen Empire, I feared she wouldn’t get any screen time again. However, her Mandalorian background makes her a logical choice to use in this stage of the story for both Republic and Sith aligned characters, and I’m always glad to catch up with an underrated favorite.

As for the map itself, some of these worlds will be familiar to even the most casual Star Wars fan, but there are others whose lore stretches back to the very earliest days of Star Wars‘ Expanded Universe. If you’re a fan of West End Games’ Star Wars Roleplaying Game, you might recognize Elrood and some of the worlds mentioned here.  In the time of the movies, Eraidu is known as the homeworld of Grand Moff Tarkin. The shipyards at Sluis Van were a target of Grand Admiral Thrawn in Timothy Zahn’s first trilogy of novels. In the Old Republic era, Karideph was visited by both Jedi Master Orgus Din and Havoc Squad under the command of Harron Tavus prior to the events of SWTOR, so there is no shortage of rich history associated with this corner of the Galaxy.

Does this mean, we will be visiting the Force Nexus on Dagobah or massing our fleets near Sullust? No, probably not. But the story seems to leading into a part of the galaxy were weird stuff has been known to happen, and I don’t think they just pulled the Rimma Trade Route out of a hat, but we’ll have to wait a bit more to find out for sure where Heta Kol is headed. It should be interesting.

 

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Danger, Will Robinson

I was recently asked by some guild-mates to translate a sign found on Corellia, the Black Hole, CZ-198 and other corners of the galaxy. It led me to another similar sign and I thought it would be fun to take a look at both.

The meaning of these signs ought to be clear even if you don’t read Aurebesh. Triangular and octagonal hazard signs are as common a sight on this world as they are on Corellia, and it’s certainly not a coincidence that they sport the colors of our own stop and warning signs.

Both signs feature a unique symbol. I confess at first glance (especially in the second sign below) it struck me as an icon of a ram’s head, but upon closer inspection is meant to evoke our world’s biological hazard symbol. It shares many of the same basic elements, but with that twist so common in so much of Star Wars’ most iconic designs that make it familiar and different all at the same time.

This second sign comes in orange and blue flavors so I thought I should include both in this post. While not the most complicated graphics in the game, I had a lot of fun with these recreations. Matching the signs’ layouts and weathering was only the first part; duplicating the rather blurry resolution of the graphics as they appear in game was part of the process as well. In my first recreation, I included for comparison’s sake both the final result as well as my original “high res” version.

I want to thank Gloom and Rye for asking about these signs.  They aren’t the fanciest in the game, but I’m glad for the inspiration to take a closer look. As always, I welcome suggestions!

 

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The Absence of Justice

Hello there. Before we get started, I must admit this post is coming quite a bit later than I’d intended. The short version is that I kind of broke this site and was unable to access it for a couple of weeks. Here is my pro-tip to any aspiring bloggers: make sure you know what a plug-in is doing before you start messing with it. Everything is at last ship-shape and Bristol fashion, so let’s get back to it!

Recently, Aviriia asked me to translate a poster in Coruscant’s Justicar sector. Although I’ve examined several other Justicar posters in the past, his particular example had long been on my to-do list, but the screenshots of it I’d saved were taken at a distance or awkward angles, but I figured I’d give it a go. To my surprise (and embarrassment) I found that there was a perfect view of the poster to the immediate left just inside the sector that I’d completely missed despite countless trips to Coruscant over the years.

The poster itself fits stylistically with much of the other Justicar propaganda plastered around the zone and it shares with them the same distressed paper texture and sickly green and black palette. Like the other posters of this style, the message is fascist and ominous in tone. Given what players learn about the Justicars as they play through Coruscant’s stories, this is entirely appropriate.

As we settle into another Summer of SWTOR, I’m planning to clear out my backlog of untranslated Aurebesh. I tend to prefer tackling translations that I can discuss beyond “This is what it says,” but I’m hoping I can bang out more recreations than normal since I’ll be able to skip out on the commentary (or “useless flavor text” as a friend calls it). If there is a sign, poster or display in the game that you’ve always wondered about please let me know in the comments below or via twitter or through email. I’m always thrilled to take requests.

I’m sure we’re all looking forward to SWTOR’s big 10th anniversary celebration later this year, but in the meantime, stay cool and have a most excellent summer!

 

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Aurebesh is Weird

As February ends, gentle reader, I am once again turning in my work at the last possible second. All I can say is that this month definitely did not work out the way I’d planned.

This time, I’ve chosen to take a fresh look at one of the very first translations I made for this blog, and make a more faithful recreation this time around. Given its translation, you will likely not be shocked to learn that this sign can be found most commonly on the planet Corellia. Amusingly, the blue text contains a spelling error. It’s not the only one in the game, but it’s also a common error, one I’ve made myself, so I’m happy to let it slide. The orange text is another example of seemingly random single or paired letters that are seen frequently in holographic neon around the galaxy, and the use of the letters “G” and “Z” are a common popular choice for numerous signs and displays in the game. For the blue text, I followed the original’s use of capital and lower case letters, but for the line of orange, single glyphs I opted to reflect the capital “G’s” rather than alternate it with a lower case “g’s” in order the better match the poster’s original design.

There are several aspects to this seemingly simple sign that make translation a bit more tricky that it might seem at first glance. My initial translation nearly five years ago was completely nonsensical because technically this writing is not Aurebesh. To the best of my knowledge this alphabet has not been formally identified in Star Wars canon, but it is actually the second attempt, after Aurebesh as we know it, to recreate Joe Johnston’s original alien alphabet created for the original trilogy. The particular font used here is likely Erik Schroeder’s Galactic Basic. The giveaway that the font used is not formal Aurebesh is actually the use of glyphs which in Aurebesh are two-letter digraphs. As Aurebesh has evolved over the years, the digraphs have been used less and less over time or repurposed as other symbols. In SWTOR when you see an Aurebesh digraph you can usually assume the font being used is not Aurebesh.

As fake space letters go, I continue to find the evolution of Aurebesh interesting. There are many, many issues with its original, official presentation. The punctuation is incomplete, and there are no numbers or rules for capitalization. Over the years, different fonts, very often created by fans, have filled in the gaps and fleshed it out in ways beyond its original intention. The overall effect of this is that Aurebesh feels rather like a living “language” with weird oddities and quirks that real alphabets develop through generations of use across vast distances. Aurebesh, from the very beginning, was never intended to be THE singular alphabet of the Star Wars universe, just one of many. (including our own English alphabet). In Star Wars: The Old Republic, this diversity of languages and scripts can be found around the game world, and eagle-eyed gamers will spot Huttese/Outer Rim Basic, Naboo Futhork, ancient Jedi and Sith runes and most recently Mandalorian alongside the familiar Aurebesh.

UPDATE! I just noticed a spelling error of my own in my recreation. I’m tempted to claim this is an intentional homage to the error in the original and totally not a basic mistake by yours truly. You be the judge!

 

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Echoes of Vengeance Review

This week I’d like to share some spoiler free thoughts on SWTOR‘s Game Update 6.2, Echoes of Vengeance. I won’t lie, I’ve been eagerly looking forward to SWTOR‘s first significant story update of 2020. I doubt there is anyone out there from the players to the developers who isn’t disappointed that we didn’t get more story this year, but I do think the game has closed out the year with a bang.

Echoes of Oblivion

MMOs aren’t really known for endings. To one extent or another, they’re all about keeping the treadmill running and hyping up the next big thing. Echoes of Oblivion, however, feels like the capstone to a journey started nine years ago. It ties together the major strands and story beats woven through eight class stories and all of the expansions, and brings them together for a conclusion that felt to me immensely satisfying.

There are the expected heroes and villains doing their thing, a few pleasant surprises, and one or two things put right that had gone wrong. In service of the story, there is once again an incredible setting to explore. We visited a similar mindscape before during Knights of the Eternal Throne, but this time the environment seems to have been modeled on the landscape of a brain with synapse-like paths connecting suspended islands of memories illuminated by glowing neuron-like formations. It’s unique and fantastic, and I definitely recommend taking your time to look around as you make your way through this adventure.

The who story itself is appropriately epic with moments of high drama and even a funny running joke early on. Each of the major non-player characters get a moment to shine and be cool, but none of it feels like kill-stealing or overshadowing of our characters. It’s our choices and actions have made it all possible and brought us to the end of all things.

With so many story beats and characters to juggle, it’s not surprising, however, that not every thread got pulled, even ones that perhaps should have. The climax surely could’ve had more personal impact if the Consular’s Shielding technique or the Inquisitor’s Forcewalking powers had been invoked. Moreover, I think it’s fair that players of Jedi Knights who have newly reignited or recently started romances with Kira and Scourge might be disappointed that their relationships weren’t acknowledged on-screen, despite their major roles in the story. I know there are countless combinations of characters and companions, and I don’t envy Bioware’s task of finding space for them all, but it does feel like any romances outside of Lana and Theron have gotten the short end of the stick for quite a while now.

I suppose I could also argue that Echoes of Oblivion is just SWTOR taking a victory lap, but if it is, it’s well deserved. Bringing a decade’s worth of story told by countless writers, artists, designers, developers and players to a rewarding climax is no mean feat, and the good folks at Bioware should be commended for sticking the landing.

The Spirit of Vengeance

But, of course, this is not the end. No sooner have we caught our breath than a new threat has emerged, and we’re off to a new flashpoint, the Spirit of Vengeance. Given the popularity of The Mandalorian, it’s not shocking that SWTOR would want to explore Mandalorian’s unique brand of politics. But they’re hardly riding any coattails. Generations of Star Wars fans have been mad about this stuff since Boba Fett made his debut in 1978, and SWTOR has been having fun with Mandos since launch. If the show’s popularity is an excuse for a deeper dive, I’m cool with that.

The flashpoint focuses on three clans familiar to SWTOR players, and each section is distinctive, giving the whole flashpoint a sense of progression. I’ve run the SoV on solo, veteran and master modes and each of the boss fights are pretty fun, although it’s not always clear how their mechanics work. I’m still not sure how best to deal with Bask Sunn’s tether and Troya Ajak’s songbird volley. That said, aside from the healing check on Troya, I didn’t find the flashpoint too taxing on Master Mode, especially as compared to the Onslaught‘s other new flashpoint, Objective Meridian. It is a long flashpoint, and that may not be for everyone. Personally, I consider Hammer Station speed runs to be the death of fun, so I am more than fine spending some extra time in SoV. That said, a group of four should have no problem moving through at a reasonable click. Curiously, I found solo the slowest mode since I had to slog through all the trash by myself. I wouldn’t mind if those power-ups from the Uprisings were a standard feature of solo-modes. A thermal devastator or two certainly would have come in handy!

Dar’manda

The flashpoint comes with numerous decorations to collect including three new Mandalorian themed posters. One can be seen below.

While the two other posters are written using the Mando’a font, this one is in Aurebesh, and for good reason. It features Indigo, leader of a clan of  Mandalorian exiles called Dar’manda who we met on Mek Sha. To their credit, the Dar’manda understand that it would be completely inappropriate for them to use the Mando’a language in their propaganda.

At first, I thought the text of this poster was a fairly basic aphorism, but in thinking about it in the context of the story and setting, it’s clear to me that the rewards being promised here are not the honor and glory sought by your bog-standard Mando, but far more material rewards. “Besom better have my credits,” as they might put it.

The logo at the bottom is a variation on the mythosaur skull and the standard Mandalorian T-shaped visor and helmet seen across Mandalorian lore. I don’t know if this is the first appearance of the symbol, but it’s pretty cool, and I hope we will get to see it in other contexts again.

I confess I went with a quick and dirty recreation here in hopes of publishing my take on the game update’s content while it was still somewhat hot. However, when I return next year, I plan to take a look at the two Mando’a posters in greater detail.

The Undiscovered Country

As this honestly crappy year comes to a close, I’m looking forward to the next. This silly blog, SWTOR and the good people with whom I’m honored to play have all been things that made a 2020 a lot easier to take. Next year is SWTOR’s tenth anniversary, and as Echoes of Oblivion closes the door on one adventure, the Spirit of Vengeance opens the path to another. Let’s see where it leads.

Stay safe, have fun and may the Force be with us all!

 

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Eat, Drink and Be Merry

With the brand new Feast of Prosperity event entering its final week, I thought I should share a short review while the event is still active for once. Like SWTOR’s other seasonal events, the Feast is less about rushing around fighting stuff (although there is some of that), and more about simple and hopefully fun gameplay. And I reckon it succeeds on that count.

Given how this year has gone, I think we could all use a fun distraction or two, and that’s what this event has been for this weary SWTOR player. The Feast of Prosperity consists of a one time story quest chain and repeatable dailies involving gathering exotic ingredients, cooking food and serving meals. None of this is extremely difficult. One of the daily ingredient quests calls for defeating world bosses around the galaxy, but with the respawn timers on those bosses drastically reduced and groups constantly forming to fight them, that quest is remarkably easy to complete.

The toughest quest isn’t mechanically difficult, but the Hard version of the Cantina Rush daily, which has the player take control of a serving droid delivering meals to a busy banquet hall, can get a little tense as you crisscross around the room trying to serve everyone their dinners before the timers runs out. During the seven or eight minutes it takes to complete that quest, I’m paying attention to nothing else!

One of the most interesting and neat things about the Feast has been seeing the crowds on Nar Shaddaa and teaming up to take on the various world bosses at all hours of the night and day. It’s nice to see the event give some love the second M in MMO.

The story is amusing as well and focuses on the two rival Hutts who have spearheaded the event. The choices players make while navigating the story lead to different results and rewards, and the finale felt satisfying to me. In addition, it was also a pleasant surprise to hear that the update includes some new music, specific to the tone of the Feast. Once you factor in the numerous new environmental assets, the Feast of Prosperity does feel like a stand out among SWTOR‘s events.

This is usually the part where I complain about the rewards, but not this time! The team did a great job including a wide variety of unique and fun items, emotes, decorations, pets, titles and achievements for players to earn. It’s all silly and I approve. I think it’s fair to complain about the armor set not being Legacy bound like most other event armors, but I confess I’ve been highly motivated to earn a Food Launcher on as many of my characters as possible.

Make no mistake, the Feast of Prosperity is hardly essential, nor is it meant to be. If you choose to skip it entirely, I doubt you’ll feel like you’ve missed out. However, if you want to earn some quick rewards, you can spacebar your way through the story and still come out with enough event tokens to treat yourself. Toss in a few of the trivial dailies, and you’ll be launching tomatoes at friends and enemies in no time!

Meet Jekiah Ordo

The last game update also included some actual story! Similar to the Task at Hand from earlier this year, it’s just a quick check in with Shae Vizla and an introduction to a new Mandalorian named Jekiah Ordo. This interlude is surely meant to set up the upcoming Mandalorian themed flashpoint. On the one hand, it is brief, but on the other I cannot deny it felt great to hear my characters talking again for the first time in many months. I’m eagerly awaiting the next story update. As I write this, it has not been official announced but hopefully we’ll be back in the thick of things before the year is out.

 

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Charles Boyd Q&A

This Week I get to continue the birthday celebration of this blog a little differently. Recently I sent a few questions to Bioware regarding SWTOR’s use of alien languages and none other than Charles Boyd came back with some responses!

Charles Boyd has been with the SWTOR team from its earliest days and wrote the original Trooper storyline. Soon after he became Lead Writer and most recently SWTOR’s Creative Director. He is also an avid cosplayer, and if, in the in the hopefully not too distant future, community SWTOR‘s Community Cantina events start up again, it’s worth the trip to stop by and see his excellent costumes in person.

I want to thank Charles for taking the time to answer my questions, and I look forward to seeing what’s next in SWTOR and its fake space languages!

How do the game’s artists and environmental designers interact with the encounter and story team? Zakuul has its own alphabet, and many of the ruins on Ossus are covered in Jedi text. Are these things that were specifically asked for or were they something that the art team created first before being incorporated into the story and scenery?

Charles Boyd: It can happen either way! Sometimes these elements are developed purely to suit the overall visual aesthetic – for example, the environmental signage on Nar Shaddaa or Mek-Sha largely originated from the art team. But in many other cases, that kind of detail is specifically requested by design or especially writing or the Creative Director (me) to suit the overall narrative or gameplay experience. Jedi text in ruins, specific signs for specific places that are key to the story, puzzle elements, etc. are good examples there – stuff that other teams ask for, and then the artists develop and implement to really bring those areas to life.

Lots of alien text in SWTOR can be translated into English. Engraved runes on Ossus refer to the Jedi code and a wanted poster from the chapter “Anarchy in Paradise” seems to feature a distant ancestor of Ahsoka Tano. When incorporating alien languages into the game’s scenery, to what degree do the artists try to make it “readable”?

On the other hand, some of the text featured in the game defies translation. Are these just random letters, secret messages, inside jokes or simply visually pleasing combinations of alien space letters? How deeply should we look for meaning in them?

Charles Boyd: As a rule, any text in the game is meant to have actual meaning. There are exceptions, of course; a few instances of placeholder text have unintentionally made it in over the years, and sometimes text is written to be “gibberish” on purpose, such as computer codes, encrypted data, and any other situation where it would make sense that the text should not be easily read by characters in-universe. We generally don’t use text like that for out-of-universe easter eggs or inside jokes, so odds are if you can’t read something, there probably isn’t a hidden meaning or mystery to decipher.

Some fans have deciphered Zakuulan and its variations, but not all letters of its alphabet appear in the game. Will the missing letters ever be revealed?

Charles Boyd: I’ll take that as a point of feedback! We generally don’t release stuff like this exterior to the game, so it would depend on returning to Zakuul at some point in the story and having a reasonable opportunity to include those missing letters in some background text. Feel free to send me the ones you’re looking for and I’ll make a note of it just in case. ?

It’s always neat to see alien scripts beyond Aurebesh pop up in SWTOR. Some of the more recently developed languages like Mando’a feature prominently in the Bounty Hunter story and the Fallen Empire chapter “Mandalore’s Revenge”, but the writing seen in the movies’ Sacred Jedi Texts seem like it could also fit logically into SWTOR’s setting. Are these aspects that SWTOR might be able to explore further?

Charles Boyd: We can’t speak to the Jedi texts specifically at the moment, but we have mentioned in recent livestreams that there’s some Mandalorian stuff coming down the pipe later this year… seeing some Mando’a as part of that seems like a safe bet ?

 

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Swoop-de-Whoop

SWTOR’s latest event, the All Worlds Ultimate Swoop Rally has come and gone, and before the next new thing hits, I’d like to share some thoughts about it.

The short version is this: I like it. I like it a lot!  The Swoop Rally is unlike any of SWTOR’s other events, and is much better off for it. I’ve been active with operations and even PVP this year, and zipping around the Swoop Rally has been a refreshing change of pace.

At its core the Swoop Rally is an obstacle course on three different planets with three different types of speeders and objectives. It’s not the most involved thing ever, but I’ve found it a relaxing way to cool off after a raid night or a fun way to pile up experience and conquest points on an alt. And I absolutely commend the team at Bioware for the speed and skill with which they assembled this content.

The courses themselves vary from planet to planet, and each speeder has a different enough feel and set of objectives, that I’m still enjoying it even after I’ve maxed out all three reputation tracks. For extra challenge I’ve been working on the achievements. I stayed up extra late the last night of the event trying and failing to complete the Horizon Razor’s Perfection achievement for Dantooine. Next time!

Many folks, however, only care about the rewards. On that score, I think they are a mixed bag. Each faction’s armor set has been assembled from pieces of gear already available in the game, and it shows. There are some neat individual pieces but no set stands out as a must have. Making these sets even worse value is the fact that they cannot be dyed and don’t color match to the rest of our outfits. I hope this is a bug that will be swatted sooner rather than later.

Each faction’s vendor also sells speeders of their own, but only one, the Blatent Beks’, features a unique model. That said, I am personally fond of the mounts selected for the Horizon Razors and Pit Screamers factions. And the gold plated versions of all three speeders available at Legend standing are distinctive and pretty neat.

In addition, there are lots of nice new and event-inspired decorations and droid rewards to be found as well.

The most interesting rewards are the Tactical items which all have silly effects related to mounting and dismounting from our speeders.  If you’re looking to min-max your character, there is nothing for you here, but if you want to show off a bit when you arrive at your destination, there is some fun to be had. The Razor’s Kickstart Tactical is genuinely useful for the extra boost of speed you get on mounting, and since it has no level requirement it’s the first Tactical that can benefit low level characters who may already be speeding through their class and planetary stories.

Events are the perfect place to include cosmetic rewards like this, and I’m glad to see Tacticals that are pure fun. Just don’t be like me and forget to equip an actually useful Tactical before pulling an operations boss. At least I got to Dash’roode first.

As with all events, I wish there were more rewards. It seems like dye module and color crystal recipes based on each team’s colors would’ve been obvious additions, and I am disappointed that some of the tougher or more unusual achievements don’t come with extra rewards. At the very least, “Perfect Idiot” absolutely should have been a title given to players for completing those weird achievements.

The Swoop Rally event, however, does come with a surprising amount of story, which unlocks in stages as players advance through each faction’s reputation levels. The story is told using the “KOTOR-style” dialogue interactions that were introduced with the Fallen Empire’s Alliance Alert missions. While I am on the record as not being a fan of this style of interactions, I understand that circumstances this year are unique, and will not object. I enjoyed these stories. They aren’t galaxy shaking adventures; they are about people just trying to work things out. Whether they come together or break apart is determined by the player’s choices.

I do wish that some of the conversations had options specific to our classes. I’m not sure my Consular needed the concept of the Trandoshan Scorekeeper explained to her, and I’m certain the Smuggler and Bounty Hunter’s underworld backgrounds could’ve played into other interactions as well.

That said, I enjoyed them and, as a light-side loyalist, was satisfied with the conclusions of each story.

Is the Swoop Rally SWTOR’s best event? I’m not sure I can make that call just yet. I understand that the racing gameplay isn’t everyone’s cup of tea, but personally I’m looking forward to its return, not so I can get more rep or grind more currency, but so that I can run the courses again. Moreover, I hope the good folks at Bioware are open to expanding the event in the future. I’m sure its no accident that there is room in the pits for a forth Swoop team. Additionally, I’d be happy to see the Rally visit other planets around the galaxy. Taris and Corellia seem like obvious destinations, but racing around Hoth and Manaan could be a gas too.

Very Fast, Very Dangerous

Finally, and at long last, let’s check out this Aurebesh sign featured throughout the Swoop Rally event. This sign will be a familiar to visitors to Corellia and Mek-Sha and features a speeder reminiscent of the iconic rocket bike from Return of the Jedi. This particular speeder is available in several versions in SWTOR including one awarded from a sidequest in Knights of the Fallen Empire and another found via excavation with the Seeker Droid.

The sign seems to have been designed as an advertisement for the speeder and proclaims that it is “coming soon” and includes some small text offering financing at an annual percentage rate that only a Hutt could love.

The speeder’s make or perhaps manufacturer is “Dynovibe”, a name you may not be shocked to learn seems to appear nowhere else in Star Wars lore.

As I indicated this summer, this recreation was a bit more challenging that I expected. The small text is somewhat difficult to read and I’m still not 100% confident in my translation. Instead of simply copying the speeder from the original, I had a go at recreating it from scratch. I didn’t get the same angle or lighting, but I’m otherwise pleased with my version. As seen in the game, the sign itself is lower resolution than others similar graphics, but my version is a little sharper in the interest of readability.

Today marks this blog’s 4th anniversary, and it has become one of the longest projects this freelancer has ever worked on. I’m certain I’d have moved on by now if not for the comments and kind words I’ve received from visitors to the site. Thank you so much for stopping by, and let’s hope things only get better in the next four years!

 

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The Company You Keep

This Week in Aurebesh will celebrate its fourth birthday tomorrow, but before the sun sets on September, I thought I’d sneak in under cover of darkness with one quick post to close out the month.

This Aurebesh sign has been on my to-do list since the earliest days of this blog, but I could never quite find a good spot to squeeze it in. The translation is relatively simple: at the bottom is the word “company” below a squished Aurebesh H or Herf set within a Q or Qek which has been rotated 90 degrees counter-clockwise. It is possible that since the Q is rotated, the inset letter could be as well, making it a distorted C or Cresh. However, I think the sign’s most likely translation is “Company HQ”. While the text indicates it might have military connotations marking nearby headquarters, the sign is most often seen in cantinas, or other seedy parts of the galaxy such as Nar Shaddaa, so I’d classify it as an advertisement. Like another of my favorite Aurebesh signs, this one seems to be have been cheaply printed and plastered on walls where it has crumpled, faded and begun to tear over the years.

What I find interesting about this poster is how the shapes of the letters are incorporated into the design with the H sliding neatly into the gap in Aurebesh Q. For my recreation, I had to rearrange the letters a bit in order to roughly evoke the original’s layout. While not the flashiest sign I’ve examined, I still find it a clever bit of design and I’m glad I could finally find a spare moment to point it out.

I promise to have a bit more to say tomorrow as I finally present a recreation I’ve been working on since the summer. See you again soon!

 

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