Category Archives: General Star Wars

Cracking the Jedi Code

Today, “This Week in Aurebesh” celebrates a somewhat surprising third anniversary! I’d like to sincerely thank anyone who has taken time to stop by and check out this silly little corner of Star Wars fandom.

To celebrate the milestone, I’ve translated some writing from Star Wars: The Old Republic that is not in Aurebesh, but still figures prominently in the latest story arc and exploration area of the ancient runes near Ood Bnar’s datacron on the planet Ossus.

When Ossus was released last year, I took a half-hearted stab at translating the runes on my own. I assumed, correctly as it turned out, that the glowing letters probably referred to keywords from the Jedi Code. However, I was stymied by the fact that the words to which the letters refer are not in the same order as they appear in the code; additionally the lines of the code were also out of order on the wall in the initial release of Ossus, making translation even trickier. Later, when the Galaxy’s Edge theme park was opened at Disney World this summer, a translation key for the runes was discovered in merchandise available to visitors.

With this new information and a game update that restored the inscription to its proper order, I was finally able to easily decipher the runes. The inscription clearly refers to important parts of the Jedi Code, but which Jedi Code?

There is no emotion, there is peace.
There is no ignorance, there is knowledge.
There is no passion, there is serenity.
There is no chaos, there is harmony.
There is no death, there is the Force.

The version above is the Jedi Code most familiar to Star Wars fans, but according to Star Wars lore, the code’s first version was rather less absolute.

Emotion, yet peace.
Ignorance, yet knowledge.
Passion, yet serenity.
Chaos, yet harmony.
Death, yet the Force.

I believe the Ossus inscription is meant to evoke the earlier version of the code since it does not include the negation of emotion, ignorance, passion, etc. Given the age of the ruins of Ossus, this strikes me as an appropriate choice.

Regarding for the language itself, I am not aware of any official name for this alphabet. As with other constructed languages, including SWTOR’s own Zakuulan, it derives from Norse runes. Furthermore, like so many other iconic images in Star Wars, the specific inspiration for this alphabet comes from the artwork of Ralph McQuarrie who included runic inscriptions on a painting of the interior of the temples on Yavin IV in the 1995 book The Illustrated Star Wars Universe. These glyphs would again appear as inscriptions inside the ancient Jedi ruins on Lothal and in the “World between Worlds” in the animated series Star Wars: Rebels. From there, examples of the writing can also be found in promotional material for the upcoming Jedi: Fallen Order video game and in Disney’s Galaxy Edge theme parks.

Most of examples of this writing seen on Rebels and elsewhere cannot be translated into English, but the Ossus inscriptions can, and they function as clever bits of world building that evoke both the spirit and the history of the Jedi and the ancient world of Ossus. A character’s discovery of these runes is only the first step in a journey across Ossus that I highly recommend that every SWTOR player take!

 

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Dantooine, We’re on Dantooine

Before June closes out, I thought I’d slip in under the wire and share some quick thoughts on this summer’s two in-game events.

Dantooine’s Pirate Incursion is the first new recurring event added to the game in many years, and I’d say it’s a solid addition. Like the other events, it’s light on story, but what it lacks in narrative, it makes up in setting. I write this every time we visit a new planet in SWTOR, but Dantooine is another distinct and beautiful world to explore. Don’t ever take for granted the wonderful work the game’s environmental artists and designers do.

The events quests can be neatly divided in two: regular dailies and heroics. The circuit for the dailies will smoothly lead you around the zone, and there is a decent variety of quests which mix combat with exploration. As someone who likes to stop and admire the view and venture off the path for crafting materials, I can still complete the daily patrol quest in under 30 minutes of casual play. I also really enjoy any quest that has me playing as a mouse droid. I can’t explain it.

If you have some patience, skill and gear, the heroics can be soloed, but, really, why would you? Group up with one or more players and they become much quicker and more fun. They can be combat heavy, so be ready to fight.

The weekly meta quest on Dantooine asks players to complete more quests and heroics than are available in a single day, meaning that if you want to complete the weekly, you must visit Dantooine more than once in a week. This is something we’ve seen on Iokath and Ossus. While I cynically understand this is meant to push player engagement in the game, I don’t mind it so much for regular dailies, but for an event I find it annoying. I often use events as an excuse to dust my alts and get them some action with a bite sized time commitment. Combined with the fact that the event currency, unlike all the other event currencies in the game, is character and not legacy based, I essentially feel compelled to run the event on my main characters.

If I have to run the same quests on the same characters every time the event comes around, I can see the Pirate Incursion growing stale, perhaps faster than other events.

Dantooine also has a variety of achievements, some of which can be more easily completed in peacetime than when the actual event is active. Dantooine’s peacetime state is a neat addition to the game. Unlike the testing area on Ilum which is empty when the Gree event is not active or the tunnels which are not accessible at all outside of the Rakghoul Resurgance, players can visit Dantooine any time they want. There are a pair of simple quests to complete and a few scattered hostile mobs, but for the most part, you’ll just encounter farmers going about their day.

Since the advent of level sync, it’s become less possible to visit a planet in more or less complete safety. Sure, there’s no real need to visit Dantooine outside the event, but if you have time to kill, it might be a pleasant alternative to running laps around fleet or jumping on the furniture in your stronghold. One of my fond memories of World of Warcraft’s Burning Crusade expansion was when I would just chill out on one of Nagrand’s floating islands and simply enjoy the view. If you’re wondering where to find me while waiting for an operations team to form or a flashpoint queue to pop, look for me relaxing under a tree on Dantooine.

For many players, the meat of these events is the rewards. In that regards, I’d call the Pirate Incursion a mixed bag. The highlights include Quick Vrik, the Ugnaught companion, the Kath Hound mount and pet and an extensive selection of Dantooine themed decorations, but there is nothing I’d really consider a “must have”. I would generously describe the reputation armor sets as “basic” and might be annoyed that they are Bind on Pickup instead of Bind to Legacy, but I can’t see any reason why I’d ever want to buy them anyway. I’m honestly surprised they didn’t dust off the pirate themed armor from Shadow of Revan’s Rishi questline with some bold colors and fancy effects.

Outside of the Cartel Market, there hasn’t been a new crafted or reputation based dye or color crystal added to the game since Knights of the Eternal Throne’s launch, and I wish the Pirate Incursion had given crafters some new fun stuff to make while we wait for Onslaught.

Lady Luck, Please Let the Dice Stay Hot

The Nar Shaddaa Nightlife event has made its yearly return to the Smuggler’s Moon. I don’t really have anything new to add to my previous review of the event. I’m very happy with the new decorations that can be purchased with Golden Certificates, but I was able to buy all I needed with certificates won last year. I’m indifferent to the new companion and without adding a new armor set or mount to the vendor, there really isn’t anything I feel a burning desire to to save up for, so I may not be spending much time clicking slot machines this year.

I don’t doubt that the reason the Dantooine and Nightlife rewards seem sparse is that Bioware’s focus is on Onslaught in the fall, but right now I wish there were more incentives for me to really care about these events.

I will be back later this week with some more Aurebesh. What can I say? It’s summertime! I get distracted when the weather gets nice.

 

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Let the Wookiee Win

Some years ago, I had a brief encounter with Peter Mayhew at DragonCon in Atlanta, GA. While waiting for a table at a restaurant near the convention, I noticed someone very, very tall in front of me but didn’t recognize who it was. As he walked away, I saw a distinctive gait and muttered, “Ha! That guy walks just like Chewbacca.” Mayhew turned and cracked a friendly smile, and I was rather embarrassed when I realized it really was him.

It’d be easy to suggest that he was just a big guy dressed as a shag carpet, but I’m quite certain that had someone other than Peter Mayhew been cast, Chewie wouldn’t not have been as beloved and iconic a character. Maybe it was the way he cocked his head or his soulful blue eyes, but Mayhew did more than just wear a costume, he brought a legend to life.

Artwork by Ron Frenz and Tom Palmer, from Marvel Comics’ Star Wars issue 72, 1983.

 

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Station!

My choice of this sign for recreation was mainly inspired by news that a third Bill and Ted movie would at long last be coming out in the not too distant future. This sign’s only complete word “station” probably indicates a nearby Rocket Tram Station on the planet Corellia and is not a reference to martians with excellently huge butts. Probably.

The sign’s basic design is similar to others in the game, contains one readable word, three seemingly random letter and three seemingly random numbers. But how random are they? If there is one thing I’ve learned working on this blog is that things are often not as simple as they seem.

The top and bottom letters are translated easily, but there is something going on in the middle of the poster. At first glance the large letter in the center seems to be Dorn, the Aurebesh letter for D, but the artist’s choice to slice through the second horizontal bar changes the letter shape into Resh, the Aurebesh R. This suggests to me the intent to combine the two shapes into a single unique glyph. In my recreation I attempted a similar effect by slicing off the lower legs of the R to create a shape that evokes both D and R.

Could the Z, DR (Doctor) and O refer to some of the founders of Bioware? It seems plausible to me. But stare long enough at any random arrangement and patterns will emerge.

Moving on, the numbers 327 on the sign are fairly common throughout Star Wars lore. I’m sure numerologists could have a field day with George Lucas’ recurring use of numbers. 1138 is the most famous of his favorites, but it’s far from the only one. 327 appears in American Graffiti, A New Hope, The Empire Strikes Back. As for what it means, your guess is as good as mine, but 327 is apparently a “perfect totient number.” Even after researching that term, I still don’t have the slightest clue what it is, but 327 was also the street address of the house I grew up in as a child.

So, Illuminati confirmed.

 

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And We’re in Bloom

And we’re back! I apologize for the longer than usual gap in posts. One thing that has occupied my attention lately has been the pursuit of Conquest points. As a member of a small guild with Republic and Sith sister guilds to feed, Conquest and the guild leveling that comes with it can be something of a time sink.

For characters who have completed the Ossus story, additional Conquest objectives are available related to deploying or destroying probe droids outside Republic and Imperial outposts around the galaxy. While zapping probes near the starport on Corellia, I spotted a sign I had not noticed in all my years of playing. However the bright glow emanating from the text made the sign extremely difficult to read.

There is a quick solution to this particular challenge. Disabling Bloom in the graphic settings makes the game world significantly less vibrant, but the sign much easier to read. After some more exploration I located a second example of the sign and was able to snap a clear screenshot for recreation.

At first glance, there isn’t much going on, but upon examination, there are several things worth noting. First, the sign is like many others on Corellia that refer to manufacturers of starships and podracers. “Ord Pedrovia” is a popular make of racer that first appeared during the Boonta Eve Classic in The Phantom Menace and is not, as I first thought, the name of a planet, which is the usual case when the forename Ord appears in Star Wars lore.

The glyph at the right edge of the graphic looks to my eyes to be a stylized English O and P logo, and I can imagine it splashed on the hood of the Ord Pedrovia’s podracer cockpit.

The letter on the left of the sign is not Aurebesh. I’m certain that it is, in fact, a Futhork “G” which has been disassembled somewhat for the graphic. The result is that translation turns the large word from “Ord” into “Gord.” There are many signs around the galaxy which when translated are seemingly random letters and numbers. I suspect some of these contain in-jokes or use the initials of members of SWTOR’s development team. I’m not in a position to know for sure, but in this case I think I can hazard a guess that this sign pays tribute to Gordon Walton who helped found Bioware Austin. Or perhaps it could be a reference to the late Gord Downie, lead singer of beloved Canadian rock band, the Tragically Hip. Or maybe hockey great Gordie Howe. Or maybe it’s just a coincidence.

Star Wars Celebration Community Cantina

Star Wars Celebration is just weeks away, and I’m sure I’m not alone in eagerly awaiting news of SWTOR’s future. Bioware has been extra coy this year, but we’re all expecting to hear about the game’s next expansion at the Community Cantina event in Chicago.

Sadly, I can’t make it this year, but if you’re in Chicago for Celebration or find yourself in the area, I highly recommend attending the event. I’ve been to a previous Cantina, and it is genuinely fun to meet the people who make the game, the people who play the game, have a drink and score some swag.

Somewhat remarkably, the official Star Wars website even included shout out to SWTOR in the lead-up to Celebration.

I sometimes think SWTOR is the red-headed stepchild of the Star Wars family. People are constantly posting in the r/swtor sub-reddit that they are shocked to learn that not only is SWTOR not dead, it also has a good population of players who truly enjoy the game. Even Bioware’s own Casey Hudson seemed surprised by the enduring popularity of SWTOR.

And yet SWTOR can’t seem to get much cross-promotional love from the Star Wars brand juggernaut. Last year I bought Chronicle Book’s Women of the Galaxy, an absolutely charming book featuring the stories of dozens of female characters from across Star Wars lore. As I read it, however, I was amazed by the inclusion of some rather obscure characters that came off as filler to me. I was disappointed that despite drawing from a wide array of Star Wars media, novels, comics, cartoons and even other video games, no one from SWTOR made the cut. Call me a homer, but I really do believe Lana or Vaylin or Kira or Vette are far more interesting and dynamic and worthy of coverage than some of those non-speaking background characters who barely rated seconds of screen time.

SWTOR had a fair amount of cross promotion at launch, but I do hope EA and Lucasfilm give the game another push with the next expansion. I’m no expert; I don’t know how to convince Marvel to publish a Theron Shan comic, Hasbro to make a Jakarro action figure (with C2-D4 head-butting action!) and Fantasy Flight Games to include the Gravestone in one of their miniatures games. Indeed, it’s fair to ask if any of that even would be viable or profitable endeavors, but a blogger can dream, right?

April can’t come soon enough!

 

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Star Wars: Resistance First Impressions

I really want to like Star Wars: Resistance more than I do. It has a lot going for it. The vehicle designs are terrific, the characters are bright and fun and distinct from most of what we usually see in Star Wars. And it was created by Dave Filoni who, I’d argue, channels George Lucas’ vision of Star Wars better than anyone else. I thought The Clone Wars was uneven, but at its best it was as thrilling as any non-movie take on Star Wars as we’ve seen. And I just loved Rebels for its characters, style and heart.

But after three episodes, Resistance just isn’t doing it for me. Like Filoni’s previous shows, it focuses on a young hero’s journey, which is something we’ve seen before both inside and outside of Star Wars lore. So far, the focus has firmly been on Kazuda, and the characters around him remain one-note cyphers. In the first episode, Kaz is introduced in a fairly tepid scene meant to establish him as heroic and likeable, but ever since we’ve only seen him as an arrogant, lazy, entitled, self-absorbed, clueless twerp. How hard up for help must the Resistance be that Kaz is the guy selected for a secret mission, heck, any mission?

Sure, I get it; this is just the starting point for the character. The Clone Wars and Rebels grew up around their main heroes, and I imagine Resistance will do so as well. But The Clone Wars was as much about Rex and the Clone Troopers’ struggle to find their identities, and Rebels explored a time period largely unseen in Star Wars lore. Ahsoka turned out to be the bright center of The Clone Wars and the point-of-view character the prequel era desperately needed. Rebels’ family unit was immediately engaging, and I cared about every single member of the Ghost’s crew. But while I wait for Kaz to grow up into someone worth rooting for, there has been little else in Resistance to hold my attention.

In addition, the stakes are incredibly low. It’s Star Wars without the wars. The First Order is lurking in the shadows, but for now it feels more like American Graffiti in space; just a bunch of kids cruising around in spaceships and getting into trouble. Yeah, that’s how Luke started off, but ninety minutes into Star Wars, he was well on his heroic journey; three episodes in and Kaz still has to be nagged to do his chores and eat his vegetables.

Mainly I think Resistance is not meant for an old fogey like me. Even more than its predecessors, it’s a kid’s show. That’s fine. I’m pretty sure 10 year old me would love Resistance. The bold colors! The super-cool spaceship races! The Miyazaki-esque aliens! The further adventures of BB-8! Even grown up me can see the appeal. Perhaps I’ll have to wait for Jon Favreau’s The Mandalorian for a new Star Wars show to catch my fancy.

One thing the show is not lacking is Aurebesh and I’d be remiss if I did not include a quick translation. While I don’t know much at all the about character, Torra Doza is already a favorite  because I quite like how her flight suit and ship have borrowed the color scheme of Steve McQueen’s Porsche from the 1971 movie Le Mans. This display of her racing stats from the first episode shows that she is a pilot to be reckoned with. Hopefully she’ll become something more than just a background character or a sassy foil for Kaz’s journey to adulthood.

 

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A Rose By Any Other Name

This week I want to cover a few topics related to Star Wars, fandom and a bit of Aurebesh too.

Why I Love Rose

It’s not for nothing that we meet Paige Tico first. Paige is a bad ass. Under the worst possible conditions, she keeps her shit together and gets the job done. When it comes to the Tico sisters, she is the cool one. She’s a fighter jock; she gets to hang with Poe Dameron. We all know which table Paige sits at. When we meet Rose a little later, she’s been assigned the glorious task of guarding escape pods.

No one wants to think the annoying little sister can be the hero. We’re supposed to want our Star Wars heroes to be quick with a one liner like Han Solo, wear sweet armor like Boba Fett, and blast stormtroopers like Princess Leia. Rose is too earnest for a snappy comeback, wears a frumpy jumpsuit, and isn’t much of a shot (aside from poor Finn, I guess). Some have complained that Finn and Rose accomplished nothing on Canto Bight. I disagree; maybe their plan to disable the First Order’s hyperspace tracking was a bust, but that’s not all they did. In passing on her ring to the broom kid, Rose kept alive the spark that’ll light the fire of the Jedi again. Small victories matter. They may even matter more than big ones. And if nothing else, Rose and Finn tore that place up, and gave those shit-heels a bad day. Because fuck those guys. Fuck them.

I get it; we all want to be cool like Paige. But we’re not. We’re Rose. Most of us don’t get to be played by an actor as charming and enthusiastic as Kelly Marie Tran, but, like Rose, we can step up and be heroes too if we want to. We can save what we love. Paige knew it. In her last moments, she didn’t flip off the First Order or make a dumb joke. She thought of her sister.

I have debated all aspects of Star Wars endlessly with friends whom I greatly respect and whose opinions differ greatly from mine. I doubt there is a long time fan who has not been disappointed by Star Wars at some point in their fandom, but Star Wars is so big and means so many different things to so many different people, that no one should get to say what the litmus test for being a real fan is. Sadly, fans acting like hateful, spoiled shit birds is nothing new, but it seems like social media is only capable of amplifying stupid rage these days. Anyone who feels better spewing bile at real people for daring to try to entertain them or goes looking for conspiracy theories in mass market, space adventure stories has clearly taken the wrong lessons from Star Wars.

It’s okay to stop liking Star Wars. Heck, I checked out during the the latter days of the Expanded Universe. The Force Awakens and The Last Jedi have revitalized my interest, but I’m fully prepared to move on once the Game of Thrones guys take over. If they make a movie I don’t like, I’ll get over it like a fucking adult.

Solo: A Star Wars Story Review

I kinda hoped waiting a week might give me some unique insight into Solo: A Star Wars Story, but I don’t have anything profound to say. I found it a perfectly fun summer movie with charismatic actors doing exciting things and having a grand ol’ time. It doesn’t have much depth, but I wasn’t expecting it to; I’m not sure I even wanted it to. In many ways it felt like a Fast and Furious or Mission: Impossible movie, except, y’know, in space. Whether you find that a ringing endorsement or a damning condemnation probably will indicate how you’ll feel about Solo. I had a good time. I think it’ll it hold up better than Rogue One and is a perfectly good way to waste a couple of hours on a hot afternoon.

I’ll leave the speculation about why it has not performed like gangbusters to the experts except to say that I think it’s probably for the best that we’re in for a year and a half wait until the next Star Wars movie.

Sometimes It’s All I Think About

Longtime readers will recognize this image from a previous post, but if I’ve learned anything from George Lucas it is that it’s never too late to make changes. After three attempts I think I’ve finally arrived at my “original vision.”

I was prompted to revisit this poster after it was added as a stronghold decoration available to players who complete their weekly Conquest goal. The advertisement’s tag line is in the center of the graphic, and there is additional text at the bottom and vertically oriented along one side. The Aurebesh itself is reversed so it must be read right to left (although my recreation reads normally). Curiously, the decoration version of this poster differs from the one seen around the galaxy. The poster’s frame is reversed, but the image itself remains “backwards.” The result of this is that much of the text along the vertical edge of the picture is hidden in the stronghold version.

Nevertheless, I was determined to put this one to rest and finally translate the faint, vertical text that had vexed me previously. It took a bit of digital jiggery-pokery before the letters finally came into focus. The image above is a peek at my work file; sometimes these translations really do take more a bit doing than you might think.

Next time, something new! And fewer f-bombs, probably.

 

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Revenge, Money or Something Else

Even though it’s been with some nervousness, I have been looking forward to the release Solo: A Star Wars Story. So I thought I’d mark the opening day of the movie with a different kind of Aurebesh recreation.

Rather than translate something from Aurebesh into English, let’s try it the other way around!

It’s obvious to me that the controversial Solo teaser posters were directly inspired by/ripped off from a series album covers designed by Hachim Bahous for Sony Music. On the one hand, it’s a terrific design, but it’s laughable that whoever was responsible for the plagiarism thought that no one would notice. I hope Bahous and his team received significant apologies and compensation from Lucasfilm.

For my version, I made sure to include elements from Bahous’ design to pay tribute to his work, but with a SWTOR spin. To be honest, I originally hoped to feature Malgus or Satele, but their names were just too long. Good ol’ Darth Marr, however, was a much better fit.

Here’s to what will hopefully be a fun time at the movies this weekend!

 

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Jax’s Back

This month, in the comic book pages of IDW’s Star Wars Adventures 2018 Annual, saw the return of one of the most infamous characters in all Star Wars lore: Jaxxon, the green haired, rocket-rabbit from the very earliest days of what would become known as the Expanded Universe.

Jaxxon and his partner Amaiza (who also returns to the four color limelight), were one quarter of the “Eight for Aduba-3“, one of the first original Star Wars adventures in any media after the release of the movie. Before I wax too nostalgic, I should point out that the Aduba Saga has fairly earned its controversial reputation. Writer Roy Thomas saw in the first Star Wars movie a mix of Flash Gordon serials, samurai, western and World War II movies, and decided to do his own riff on The Magnificent Seven, adding elements from Godzilla movies, Warner Bros. cartoons, female professional wrestling, and even Cervantes. The end result, however, is an over-stuffed, under-cooked mess. In the years to come poor Jaxxon would be singled out by both official sources and fans as an excuse to dismiss the whole Marvel series. This is ironic because, until this month, there was literally a four decade gap in Jaxxon stories, and his last appearance in 1978, issue 16’s “The Hunter” is one of the strongest tales in the original run.

No doubt, these comics are very much of their time, and may not be to modern tastes. The earliest stories between Star Wars and The Empire Strikes Back tended to be illustrated in a broad Silver Age style: Luke and Leia had the physiques of super-heroes, almost no effort was given to make the characters look like their actors, and the action was very exaggerated and over the top. What was proper Star Wars was still being discovered back then, and sometimes those old comics wouldn’t fit in continuity, used concepts from the movies weirdly or were just too comic-booky. “Eight for Aduba-3” fits all those bills.

And yet…

The giant monster stomps things, Jaxxon cracks wise, Amaiza kicks butt, Don-Wan Kihotay is clumsily heroic, and Han Solo saves the day in spite of himself. What more could an eight year old ask of a Star Wars comic? Nowadays when some folks are genuinely asking if there is too much Star Wars, it’s hard to imagine what is was like back then to be a fan starved for new adventures after just one movie. Splinter of the Mind’s Eye smacked of the low budget sequel it was intended to be and the wholly bizarre Holiday Special left a generation of kids shaking their heads in confusion. But in the pages of Marvel’s Star Wars comics, that’s where the action was. If you wanted to see all the heroes from the movie exploring new worlds, encountering scores of new aliens and playing with all manner of new ships, droids and weapons, Marvel had you covered.

Even as a big fan, I cannot deny that those old Marvel stories have a host of issues, but I think their flaws were more of execution than ambition. Some stories were misses, sure, but they were big misses. And there were plenty of hits too: stories that made the wait between movies easier to take, and stories than even now stand tall in the legendary array of Star Wars canon.

So I’m thrilled to see Jaxxon and Amaiza have another day in the sun. Over the years, there has been the odd sighting in roleplaying game supplements, inside jokes and background references, but the cartoony style of Star Wars Adventures is a natural fit for Jaxxon. The story by writer Cavan Scott, illustrator Alain Mauricet and colorist Chris Fenoglio is a delightful romp with action, betrayal and a charming reinvention of these old characters. You don’t have to know who Jaxxon and Amaiza is to get a kick out of the story, but there are some literal and figurative easter eggs for old timers like myself to enjoy. I do hope they check in with these two star-hoppers again, at the very least they have some unfinished business. Jaxxon is silly and dumb like Star Wars can be sometimes, like Star Wars should be sometimes. If you’re cool with that, by all means, check it out!

Black Hole Redux

This week’s Aurebesh recreation continues my tribute to Jaxxon and Amaiza. Back in the day, Han Solo knew Amaiza as the “den-mother of the Black Hole Gang” so a return to my favorite daily quest hub seemed appropriate. The Jaxxon connection is obvious upon discovering the translation of this sign.

The sign is one of many advertisements for the HyperMatter Corporation and at first glance seems to tout the company’s commitment to the environment. However, anyone who has quested through the zone probably knows that the color in question probably refers to the radioactive glow that one might develop after spending too much time in the Black Hole.

I must admit I missed this sign during my first survey of the zone since it is posted somewhat out of view in the Imperial section of the Black Hole and does not seem to be used elsewhere. The sign itself hangs high on a building and is easy to miss if you don’t look up or don’t back track while completing your weekly quests. I only recently discovered it myself while exploring the area on an Republic character. It’s like Ferris Bueller said, “Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.”

 

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Godspeed, Rebels

Star Wars: Rebels ended its four-season run Monday night, and I thought I’d share my thoughts about the show. While I generally enjoyed its predecessor, The Clone Wars, the quality of stories could swing wildly from one arc to the next, so I wasn’t sure what to expect of Rebels at its launch. However, Dave Filoni and the whole Lucasfilm animation team really took what they learned from The Clone Wars and refined it into something special.

Rebels had a tighter focus on the crew the Ghost, and the art team did a great job playing to their strengths. Drawing inspiration from Ralph McQuarrie’s original designs, we got to see early iterations of many  iconic Star Wars creations, from the Imperial speeders and walkers, to a more angular Darth Vader and a proto-Chewbacca who came to life as Zeb. The world the show created was immediately recognizable as Star Wars, but unique enough to always feel like its own thing.

With the show set in the era of Rebellion, it’s clear that everyone involved was eager to play with all the classic Star Wars toys, and they dove in with gusto. Fan service or not, I’ll never get tired of seeing the alphabet soup of Wing fighters in action. Everyone loves Boba Fett, but Sabine’s Mandalorian armor is a wonder of design, stripped down to its essentials, but with a distinctive Pop Art flair. As for the show’s central ship, the Ghost, I’d argue that it’s cooler than any vehicle or ship we’ve seen in any of the three most recent Star Wars movies.

The core of the show, of course, was the crew. On the one hand, we’ve seen these character types before: the boy hero, the spunky girl, the gruff but loveable tough guy, the patient maternal figure, the haunted veteran, and the scene-stealing droid but the show forged them into a family unit, and the affection these characters had for each other felt genuine. They cared about each other, so I cared about them.

My favorite character was Hera. It’s rare in Star Wars to see a mother figure play a central role in the story, and Hera was the heart and soul of the show. She was the bad-ass mom the Ghost crew needed to help find their place in the galaxy. Coming in second, obviously, is Chopper. He is an unrepentant and unreformed forking son of a bench, and I love him for it. I doubt we’ll ever see his like again.

Rebels did a good job keeping its focus on the main characters and their journeys, even when it touched on other aspects of the larger Star Wars mythos. Filoni got to tie up some dangling plot threads from The Clone Wars with the return of Ahsoka and Rex, but those characters felt like additions to the cast, not distractions from it. Rebels also came to be something of a prequel to Rogue One, but in a way that I think mostly felt natural to the story Rebels was already telling.

Some of Star Wars’ heaviest hitters also stopped by, and it’s a credit to the show’s creators that visits from Darth Vader, Yoda and Ben Kenobi were handled with fantastic drama but still a light enough touch to not overwhelm the course of the show. And I’m impressed with the job they did bringing Thrawn to life as an intelligent and formidable antagonist for our heroes.

I was sometimes frustrated that Rebels would bump up against the limits of what a kid’s show would allow, acting a little too coy about Kanaan and Hera’s relationship and lacking real narrative stakes when most every adventure had to have a happy ending. As a viewer, I could also see the creators straining against the schedule and budget limits of a TV production, but I also appreciate that over the course of 74 episodes, we really got to explore the characters and their settings in a way that movies just don’t have time for.

In the end, however, I’d say Rebels hit the marks it was aiming for, and is a most worthy addition to Star Wars lore. I don’t doubt for a moment that Filoni and company have more stories to tell, and I’m eager to see where they take us next.

 

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